Tin Nguyen & Edward Cutting are Australian artists and creative technologists based in New York.
They create playful installations and experiences that illuminate the borderless dimension between art and science, the physical and the digital, the human and the more than human.
Their work is driven by a deep curiosity for the natural world and the intimate ways we are connected to it. They use art to envision the world through this lens of interconnectedness.
Tin&Ed are alumni of NEW INC, the art and technology incubator run by the New Museum. They developed their practice as part of the interactive experiences and creative science cohorts.
Their work has been shown at The Rockefeller Center and Pioneer Works in New York, Getty Museum in Los Angeles, Barbican Centre in London, ArtScience Museum in Singapore and Art Gallery of New South Wales in Sydney.
They have worked with brands including Apple, Hermes and Nike. They have also spoken at Design Indaba in Cape Town, the AGI Congress in Mexico City and Semi Permanent in Australia and New Zealand.
Selected Exhibitions
2024 Life Forces, Peabody Essex Museum, Massachusetts
2023 Deep Field, ArtScience Museum, Singapore
2023 Deep Field, Getty Museum, Los Angeles
2023 Deep Field, Art Gallery of New South Wales, Sydney
2022 United Visions, Getty Museum, Los Angeles
2022 Life Forces, Our Time on Earth, Barbican Centre, London
2022 Kaleidoscopic Home, Futures, Smithsonian, Washington DC
2022 Multitudes, Rising Festival, Melbourne
2021 Monster, Second Sundays, Pioneer Works, New York
2021 Kaleidoscopic Home, SPACE10 Gallery, Copenhagen
2021 Speaking Vessel, Apple Bağdat Caddesi, Istanbul
2021 Kernel, Second Sundays, Pioneer Works, New York
2021 Life Forces, Rockefeller Centre, New York
2020 Monster, Brookfield Place, Battery Park, New York
2019 Skyfish, Pier 17, South Street Seaport, New York
2019 We Come In Peace, Pier 17, South Street Seaport, New York
2019 We Come In Peace, The Artscape, Cape Town
2018 Inflatable Futures, Mpavilion, Melbourne
2016 Sound+Vision, Sydney Opera House, Sydney
2014 MelbourneNOW, National Gallery of Victoria, Melbourne
Talks & Workshops
2023 EDI Global Forum, Naples
2023 Today at Apple, 5th Avenue, New York
2022 Likeminds 6.0 Multitudes, New York
2022 Today at Apple, Brompton Road, London
2021 Radical Evolution, NEW INC, New York
2020 NEW INC Demo Day, New Museum, New York
2020 Kyoorius Designyatra, Goa, India
2019 Knowledge of Design Week, Hong Kong
2019 Design Indaba, Cape Town
2018 Business of Design Week, Hong Kong
2018 AGI Congress, Mexico City
2018 IBERO University, Mexico City
2017 Shanghai Institute of Visual Arts, China
2016 Californian College of the Arts, USA
2015-2016 Mpavillion, Melbourne
2015 Semi Permanent, Wellington, NZ
2014 Melbourne Now, NGV, AUS
2014 Melbourne Museum, AUS
2010 Semi Permanent, Sydney, AUS
2010 Semi Permanent, Perth, AUS
Online Articles & Interviews
2023 The Arts Newspaper, Deep Field, London
2023 Apple Global Newsroom, Deep Field, United States
2022 The Arts Newspaper, United Visions, London
2022 Wallpaper*, United Visions, London
2022 Forbes, United Vision, United States
2022 The Age, Multitudes, Melbourne
2022 Artnet, United Visions, London
2022 Artnews, United Visions, London
2021 Artland Magazine, Kaleidoscopic Home, Copenhagen
2021 NBC Today Show, Life Forces, New York
2021 The Center Magazine, Life Forces, New York
2019 Designboom, We Come in Peace, New York
Printed Publications
2023 The Arts Newspaper, Article, London
2023 Hube Magazine, Studio Profile, Antwerp
2022 Our Time on Earth Exhibition Catalogue, London
2022 Viewpoint Colour, Artists Profile, London
2022 The Age, Arts Profile, Melbourne
2021 The New Curator, Fleur Watson, Routledge Art
2018 AGI New Members 2007—2017, Hesign, Berlin
2018 Brain Magazine, Cover & Profile, Japan
2013 Fully Booked, Gestalten, Berlin
2012 Viscomm Book, Cambridge, London
2011 Desktop Magazine, Cover Story, Australia
2011 Where they Create, Book, FRAME, Amsterdam
2010 New Illustration with Type, Batsford, London
2009 Small Studios, Book, Hesign, Berlin
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